studio of kiran
poetry
august 21st - VOICES journalgaza - writers resistVerse - Muzzle Magazineinterrupted connection - yale daily newsthe closest i will get to mecca - yale literary magazine
a body in rest/ a body in motion - yale global health review
writing
on pleasure - forthcoming, voicesthe stuff of daydreams - yale daily newsthere is always someone singing somewhere - yale daily newsin god's spam? - yale daily news
awards
2nd place in william carlos williams poetry competition
[first place in barbara mandigo kelly peace prize
commendation in 2023 adroit prizes of poetry and prose
finalist in 92y Discovery poetry contest
runner-up for los angeles review poetry award
finalist for narrative magazine poetry contest
the closest i will get to mecca
self-published chapbook, awarded the jonathan edwards creative writing prize
"Kiran Masroor’s collection of poems, titled The Closest I Will Get to Mecca, maps the developing spiritual contours of the poet’s self-identity... When she implores “I want to speak to you on another level, let me” I think she signals to us what the collection is really about: that is, using the language of poetry to open a space in which a deeper sense of connectedness can be made possible. I take Masroor’s poetry to be “religious” most of all in the etymological sense. It is a mode of binding, between self and other, between self and the world, between self and God. There is a growing vision of love throughout the collection that assures me Masroor is a promising young poet and that there is much more to come from her. To sum up my impression of this collection: the figure traced is a map to Mecca, the landscape traversed is the self, the yield of the journey is love."


supported by the yale creative performing award, I performed select pieces from my poetry book– intertwining piano, guitar, singing, and visual media.
poem titled 'devotion,' set to 'time' by hans zimmer
poem titled 'and then i say goodnight to my mom,' set to instrumental of 'baby came home 2'

